Buyers on the trail of spanking new trends should have packed magnifying glasses and deerstalkers; so elusive were they among the cache of autumn 08 menswear fashion trends at Pitti Uomo.
Reflecting a near certain mood of buying caution there were few risk takers in the premium menswear supply camp. Instead the emphasis was on luxury and subtle detailing with regular flashes of colour.
There were plenty of subtle 1950s Americana references in both Milan and Paris. At its most innovative, Junya Watanabe's interpretations spliced varsity jackets with tailoring, tying the look into a retro-tinged preppy look. More widespread were references to America's Great Outdoors, from fleece-collared lumberjack jackets to fur-collared multi-pocket woollen styles.
D&G |
Dries Van Noten |
Junya Watanabe |
Number (N)ine |
Kris Van Assche |
Vivienne Westwood |
Blame it on global warming, but heavy outerwear is rarely appropriate for our milder autumns, leading to a surge in popularity for more substantial knitwear. Last year's longer-lined knits at Burberry Prorsum lit the fuse on a trend that for autumn 08 was accompanied by plenty of texture. Shawl collars remained relevant, but intricate, heavy patterns were the real drivers.
Antonio Marras |
Burberry Prorsum |
Dolce & Gabbana |
Dries Van Noten |
Gaspard Yurkievich |
Neil Barrett |
Salvatore Ferragamo |
Rescuing the legions of buyers seeking diversion from greys, blue still monopolised many collections – particularly inky and midnight shades. This look has been bubbling under the womenswear trend radar since autumn 07. But for autumn 08 the look returns in a big way, breaking with sartorial convention by mixing with black to sophisticated effect.
Calvin Klein |
Costume National |
Kris Van Assche |
Prada |
Robert Cavalli |
Versace |
Alongside purple, checks were the biggest pan-industry trend, with lumberjack patterns in particular featuring across streetwear and contemporary womenswear, as well as menswear. The men's catwalks were awash with plaids, from shirting at Kris Van Assche to offbeat contrast checks on tailoring at Paul Smith and lumberjack coats at Number (N)ine.
Comme des Garcons |
Etro |
Gaspard Yurkievich |
John Galliano |
Junya Watanabe |
Kris Van Assche |
Rykiel Homme |
From quirky and eccentric looks to smarter conventional styles, the preppy trend was given another outing for autumn. At its most commercial, shirt and tie combos were worn under V-shaped cardies with contrast panelling, as seen at Etro and Antonio Marras, while Junya Watanabe and Dries Van Noten combined new tailoring shapes with chinos.
Alexander McQueen |
Antonio Marras |
Costume National |
Etro |
Kenzo |
最近更新时间:2008-05-24 23:10:18 浏览数(15)
评论
(1 )按时间顺序查看 | 按时间倒序查看
Fornarina (弗娜芮纳) 是来自意大利的前卫女装品牌,包括女装、女鞋、牛仔、包包、眼镜、配饰等系列。Fornarina 的设计颠覆传统,让都市少女恣意张扬自己的真实个性。Fornarina 女郎内心深处叛逆的灵魂蠢蠢欲动,让一切变的如此耀眼又充满活力!
Fornarina 春夏系列以T恤、上衣和牛仔裤为主,浓烈色彩的大胆撞色,充满了诱惑、个性与自我。Fornarina T恤与上衣,色彩缤纷,性感浪漫,又融入休闲的感觉,让女孩儿轻盈柔美、性感妩媚的气质自然而然发散。
Fornarina 牛仔裤则以修臀的效果著称,超多的装饰细节:腰、臀、口袋部位以手工加上沉甸甸的圆形铁片;水钻、铆钉和嘻哈风格的长长金属链体现了华丽庞克的点缀手法,营造出与众不同的翘臀视觉效果。
◆ Fornarina (弗娜芮纳) 品牌故事:
Fornarina (弗娜芮纳) 创建于1994年,是意大利 Fornari S.P.A 公司旗下的一个专为年轻人设计的品牌,其涵义是“面包师的女儿”,Fornarina (弗娜芮纳) 的 LOGO 是个胖胖的怪脸女孩,源自意大利名画家拉斐尔在画大教堂时爱上的一个面包师的女儿。
Fornarina (弗娜芮纳) 设计师Miss Van于90年代已开始她的创作生涯,当时只得18岁的她喜欢到处涂鸦,法国南部最大的城市Toulouse就是她的涂鸦基地。她的作品既可以是天使与魔鬼的融合化身,也可以是美女与小孩的混合体——性感加一点点童真,是她的创作风格。
Fornarina (弗娜芮纳) 坚持以幻化多变为设计理念,设计风格叛逆、活力、摇滚、怪异、前卫,是意大利年轻族群疯狂追逐的目标。
Fornarina (弗娜芮纳) 每季推出的设计作品都令喜爱它的女孩喜出望外,妖娆,混搭,街头文化……融合着一点点讽刺,以先锋艺术态度演绎流行灵魂;再加上各种运动元素——那热情放纵的情绪,那性感和童真的完美结合,就是 Fornarina 女孩的特质。
2008-05-24 23:10:18